Listed in this post are my favorite films that I’ve watched since October 2014 from the 1001 Movies You Must See Before You Die. You can read more about the first year, but I do have a couple of things I’d add to my initial commentary: In case you hadn’t noticed already, I place a heavy emphasis on cinematography. Also, I just realized that I don’t have a column for (the mostly useless) MPAA ratings. I’ll leave that up to you to research. More on the technical details after the list…
My third annual list. This is mostly personal preference, but with an ear to recommend both popular and obscure (mostly alt-rock and electronic) albums to other music lovers. On this list, albums get either a 1 (best) or 2 (rest); within those two groups, most have equal ground. This may seem like a boring list with no explanations, but pick one of your favorite genres and zero in on just one album. Let loose and enjoy your SELF!
I’ve mentioned the 1001 Movies You Must See Before You Die in almost every film-related post over the past 12 months. It doesn’t feel like I’ve been at this list of movies for that long, but in reviewing the films I’ve seen since then, I realize now that it’s definitely time for an update.
My second annual list. This is mostly personal preference, but with an ear to recommend both popular and obscure (mostly rock and jazz) albums to other music lovers.
Most of these are artists I had never heard of or given a second listen before 2013. Good music is alive and well. Read more Best Albums of 2013
It is a challenge* to find commentary online about Lars von Trier’s film school graduation piece, Befrielsesbilleder (translated as Image of Relief / Liberation Pictures/Photos or variants of these words). Without giving away too much of the plot—is there one?—I’ve attempted to collect as much information about the film that I could dig up. Take 57 minutes to go watch it on YouTube and then come back here to see if you can piece together this “film noir.”
“A film should be like a stone in your shoe.” – Lars von Trier (Source)
Synopsis: In this thought-provoking graduate film of student Lars von Trier, the behavior of Danish resistance fighters at the end of World War II is called into question by documentary footage of them making street arrests and by fictional enactments of crimes. In one sequence, a captive German officer escapes prison and is led into a trap in the forest by a Danish woman — she believes he was responsible for blinding a teenager, and she stabs his eyes through with a wooden blade. He is left to crawl in the very woods where as a child, he had tried to converse with the birds. Using both color and black-and-white to good advantage, the cinematography adds to the dramatic impact. – By Eleanor Mannikka on AllMovie
Read more Collecting Images of Liberation (Befrielsesbilleder, 1982)